
I love reading about campaigns. YA, romance, chick lit, non-fiction: you name it, I’ll read it. I love the high stakes, the idealism or the cynicism of the characters, and their high energy. I love the sense of danger, too: … Continue reading
I love reading about campaigns. YA, romance, chick lit, non-fiction: you name it, I’ll read it. I love the high stakes, the idealism or the cynicism of the characters, and their high energy. I love the sense of danger, too: … Continue reading
On a recent visit to Strand Books, down in the memoir section where I was looking for Arthur Miller’s Timebends, something caught my eye: a book I have owned and loved and recommended for years.
There were three physical copies of Christina Haag’s Come to the Edge in our apartment already. My own is personally signed to me by its author; I bought one for my flatmate’s last birthday; the third is because on my first attempt at buying this present, I was sent one with a minor coffee stain on the pages. My flatmate might not have minded: she’s a dog-earer; that’s how she expresses her love of books. It is not, however, how I express mine. And this book deserves better than that. I got her a new one, but kept the old one for – well, I’m not sure what for, exactly.